Showing posts with label musicals. Show all posts
Showing posts with label musicals. Show all posts

Monday, November 23, 2020

When Daddy Sang


 


I sat there and tried not to let the tears flow. I really did try…but in the end I lost the battle…again.

Bing Crosby put me over the edge.

On a Sunday afternoon while home with my husband and son, I had the urge to watch a movie from my childhood. I wasn’t born until the mid 1970s but I grew up on black and white musicals from the 1940s and 1950s that television would broadcast on Saturday and Sunday afternoons much to my parents liking. That, for us, was family time. Stars such as Jane Powell, Fred Astaire and Mario Lanza would come thru the speaker of our 1960s Sears floor model television while I lay on my stomach watching intently.

Was this what people did in real life? Walk around and burst into song? They did it so, naturally, I followed suit. The hallways of school, the grocery store, dancing down the street: there wasn’t a place I could hide my excitement for life.  I was like a human version of Linda on Bob’s Burgers. At least, that’s what my family says.

It’s true.

I can remember Debbie Reynolds telling (or singing) to Gene Kelly “Here we are: Sunset and Camden!” during Singin’ in the Rain. Now, being 46, I arrive at a destination to drop someone off I will sing the same thing. There’s not a lamppost I haven’t hung off of or a park bench I haven’t tapped my feet under as I sit. It was all so REAL growing up, I have made it part of my life…part of me.

Sometimes it embarrasses my husband or my son. They have become pretty used to it and have ignored my theatrics for the most part. There are those times though. There are things they just don’t understand. Once I am able to tell them why I do the things I do, they are able to see me in a totally different way and I think I come off as not so crazy once they do.

While sitting on the couch watching “Going My Way” starring Bing Crosby I knew the part was coming up. I certainly tried to hold myself together but the dam burst and there I was wiping away the tears on my shirt sleeve.

Elder Father Fitzgibbon (Barry Fitzgerald) had come in out of the rain late one night and was put straight to bed by house keeper Mrs. Carmody (EIly Malyon) and Father Chuck O’Malley (Bing Crosby). The subject came up where Father Fitzgibbon had not been home to Ireland in 45 years. He missed his 90 year old mother. He always said he would go home if the church’s problems were solved and there was someone there to take care of things while he went for a visit. To fight off a bit of chill, Father Fitzgibbon mentioned that hidden in the bookcase was a music box that held a decanter of whisky and two shot glasses. When the case was opened the old Irish tune of “Too Ra Loo Ra Loo Ra” began to play and made Father Fitzgibbons think of home. After a quick drink, Father O’ Malley sings the elderly priest (almost) to sleep while singing along with the music box.

It’s at this point of the movie my husband and son look at me like I’m completely nuts. What on earth could possibly make me bawl? It wasn’t like we were all watching Marley and Me all over again.

When the movie was over and I could breathe through my nose again, I said to them there was a reason I was crying. I explained the vivid memories of when I was a little girl.

There wasn’t a song my father couldn’t sing or whistle for that matter. Hearing my father’s voice boom throughout the house with a song from Bing Crosby or Perry Como was a normal thing on a weekend. My mother would play the records while she cleaned and my father would sing along. His voice was truly amazing. He sounded just like the records and the men in the movies I had watched over and over. Sometimes he would sweep my mother off her feet and dance her around whatever room they were in and sing at the top of his lungs. It was like watching “The King & I” on a Broadway stage right in our very own living room.

Back in 1974, the year I was born, Hoffman Distillery bottled their whisky in decanters shaped like leprechauns. The alcohol would come out of their hats and they had a music box attached to the bottom. My parents owned two of them. One of the played “When Irish Eyes Are Smiling” and the other “Too Ra Loo Ra Loo Ra”. Being little and loving music, I would ask for them to play the music box of the latter. My father would sing along to that music box and, to this day, I can still hear his voice: Strong, deep and gentle. Bing Crosby had nothing on my dad.

Emphysema and COPD has silenced that beautiful singing voice. 65 years of smoking can do that to a person. He stopped smoking cold turkey six years ago after a heart attack scare. Doctors say he is with us now because he let go of that nasty vice. My mother followed suit a few years later. Each year, each DAY for that matter, that passes is another moment with them. I am so grateful.

My husband and son now know another little piece of why I am the way I am and do the things I do. If you see me in the grocery store dancing with my shopping cart or if I suddenly start singing my answers to your questions, you’ll now understand why.

It’s just me being me and thinking about my dad when he sang.

Wednesday, November 12, 2014

Sharon Auditioned for Into The Woods and Anderson's Words of Wisdom

When I saw on my friend, Dan Kennedy’s, Facebook page that he was headed to auditions for ‘Into the Woods’ at the Waterville Opera House on Sunday, I instantly wanted to go. The show will run in April of 2015. That will be exactly 10 years since the curtain went up on it before. I was lucky enough to be cast in the role of Little Red Riding Hood.
And, as luck would have it, I went to a callback Tuesday for the same role.
I am 40 years old but, thankfully, have a youthful look about me. However, I’m not as youthful as the young ladies were that were also at call backs. I am guessing I’m 20 years older than they.
A definite disadvantage.
However, I still wanted to sing my heart out and try. And I did. The young ladies were all beautiful. All had the voices of songbirds. In other words: pretty steep competition.
Is there anything left in this old gal?
There sure is. But now, I have to be realistic. Yes, I have experience in prior productions but the director and musical director have to make very tough choices on all the different parts.
They will go with the ones that fit the parts the best. That means looks, voice and ability all rolled into one. And they always choose correctly. You must put trust in the people who are casting the players. It is their vision. Whomever they choose, they have faith in those and will guide them through the process to make this stage production as grand as the ones that came before it.
Last night when I told Anderson I had a call back for the part, he said “Mama, can I come and see you?” I told him IF I get the part that he would certainly be in the audience.
This morning he asked if I had “won” the part. I told him that I wouldn’t know for at least a week.
And then I asked him a few very important questions. Here is what transpired this morning:
“Anderson, what happens if I get the part?”
“I would get to see you, Mama, and you would be very happy.”
“Anderson, what would happen if I DIDN’T get the part?”
“I wouldn’t get to see you and you would be sad.”
“But is that okay? To be sad?”
“Yes.”
“Why is that?”
“Because you did your best."
"That's right. I did."
There is always a lesson to be taught in all different situations. The reaction and how you handle each and every situation is watched closely by little eyes and ears. I hope he remembers this lesson when he unfortunately doesn't make it on a team or, if he ever gets into theater, doesn't get the role he wants. In the words of Stephen Sondheim and his lyrics for the Witch from the upcoming performances at the Waterville Opera House:
“Careful the things you say
Children will listen
Careful the things you do
Children will see and learn
Children may not obey, but children will listen
Children will look to you for which way to turn
To learn what to be
Careful before you say "Listen to me"
Children will listen
Careful the wish you make
Wishes are children
Careful the path they take
Wishes come true, not free
Careful the spell you cast
Not just on children
Sometimes a spell may last
Past what you can see
And turn against you
Careful the tale you tell
That is the spell
Children will listen
How do you say to a child who's in flight
"Don't slip away and I won't hold so tight"
What can you say that no matter how slight
Won't be misunderstood.
What do you leave to your child when you're dead?
Only whatever you put in its head
Things that you're mother and father had said
Which were left to them too
Careful the things you say
Children will listen
Careful you do them too
Children will see
And learn
Guide them, but step away
Children will glisten
Tamper with what is true
And children will turn
If just to be free
Careful before you say
"Listen to me"
Children will listen”